George Dandin ou le Mari confondu (George Dandin or The Thwarted HusbandAs translated by James F. Gaines 2002.) is a French Comédie-ballet in three acts by Molière, with music by Jean-Baptiste Lully, choreography by Pierre Beauchamp, and architecture/staging by Carlo Vigarani and Henri de Gissey.Barbara Coeyman, "Social Dance in the 1668 Feste de Versailles: Architecture and Performance Context", Early Music (May 1998), 281. It premiered at the Palace of Versailles, seen by Louis XIV and guests, numbering possibly to 3000 total people,Gerry McCarthy, The Theatres of Moliere (Routledge, 2002), 125. on 18 July 1668, during the Le Grand divertissement royal (Grand Royal Entertainment), produced by court financier Jean-Baptiste Colbert, celebrating the peace from the Treaty of Aachen.Barbara Coeyman, "Social Dance in the 1668 Feste de Versailles: Architecture and Performance Context", Early Music (May 1998), 267. Without the ballet and music, the comedy appeared to the Paris public at the theatre of the Palais-Royal beginning on 9 November 1668.
Court historian André Félibien summarized the play in the official brochure (1668) this way: "The subject is that a wealthy peasant, who has married the daughter of a country gentleman, receives nothing but contempt from his wife as well as his handsome father- and mother-in-law, who only accepted him as their son-in-law because of his possessions and wealth".André Félibien, Relation de la fête de Versailles du dix-huitième juillet 1668 (Paris, Pierre Le Petit, 1668).
Contemporary scholar Roland Racevskis summarized it this way: "The action centers on the woes of [George Dandin], a wealthy peasant who has entered into a misalliance by marrying Angélique, the daughter of a pair of caricatural provincial nobles, Monsieur and Madame de Sotenville [the latter played in female cross-dress] ... Dandin must repeatedly endure the humiliation of recognizing the social superiority of the Sotenvilles and of apologizing to the wife who is cuckolding him all the while."James F. Gaines, ed., The Molière Encyclopedia (NY: Greenwood, 2002), 196.
Concerning Dandin's pretensions as a nouveau-riche gentleman, specifically his costume (as played by the playwright, Molière), described in the company's inventory by M.E. Soulie: "Breeches and cloak of light brown taffeta, with collar of the same; the whole adorned with lace and silver buttons, a belt of the same; a little doublet of crimson silk; another doublet of brocade of different colors and silver lace, to wear over it; and a large ruff and shoes."Quoted in Madeleine Jurgens and Elizabeth Maxfield-Miller, Cent ans de recherches sur Molière, sur sa famille et sur les comédiens de sa troupe (Paris: S.E.V.P.E.N., 1963), 567. About it, Roger Chartier wrote, "Such a costume, which has nothing peasant about it, could immediately be recognized as an outrageous, forced, old-fashioned imitation of the aristocratic outfit." (Chartier 1994, p. 302) Roger Chartier, "George Dandin, ou le social en représentation", Annales: Histoire, sciences sociales, 49/2 (1994), 277-309 (302).
Characters and original cast Georges Dandin (George Dandin), husband of Angelica: Molière Angelica (Angélique), Georges Dandin's wife: Mlle Armande Béjart Molière Sir Sotenville (Monsieur de Sotenville), Angelica's father: Du Croisy Mrs Sotenville (Madame de Sotenville), Sir Sotenville's wife: Louis Béjart, later André Hubert (both cross-dress males)Julia Prest, Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet, and Opera (NY: Palgrave Macmillan, 2006), 31-32. Clitandre (Clitandre), charming gallant, in love with Angelica: La Grange Claudine, Angelica's servant: Mlle de Brie Lubin, Clitander's servant: La Thorillière Colin, Dandin's servant
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