Queen's House is a former royal residence in the London borough of Greenwich, which presently serves as a public art gallery. It was built between 1616 and 1635 on the grounds of the now demolished Greenwich Palace, a few miles downriver from the City of London. In its current setting, it forms a central focus of the Old Royal Naval College with a grand vista leading to the River Thames, a World Heritage Site called Maritime Greenwich. The Queen's House architect, Inigo Jones, was commissioned by Queen Anne of Denmark and her successor as queen consort, Queen Henrietta Maria. The House was a royal retreat and place to display and enjoy the artworks the queens had commissioned; this included the ceiling in the Great Hall that featured a work by Orazio Gentileschi titled Allegory of Peace and the Arts.
Queen's House is one of the most important buildings in British architectural history, due to it being the first consciously classical building to have been constructed in the country. It was Jones's first major commission after returning from his 1613–1615 grand tourThe phrase 'Grand Tour' was unknown until approximately 1670, but in essence, Jones's tour of Germany, Italy and France, incorporated many of the elements of the later tour. of Roman, Renaissance, and Palladian architecture in Italy. Some earlier English buildings, such as Longleat and Burghley House, had made borrowings from the classical style, but the structure of these buildings was not informed by an understanding of classical precedents. Queen's House would have appeared revolutionary during this period. Although it diverges from the mathematical constraints of Palladio, Jones is often credited with the introduction of Palladianism with the construction of the Queen's House. Jones' unique architecture of the Queen's House also includes features like the Tulip Stairs, an intricate wrought iron staircase that holds itself up, and the Great Hall, a perfect cube.
After its brief use as a home for royalty, the Queen's House was incorporated into use for the complex of the expanding Royal Hospital for Seamen, and maintaining its clear axial view down to the river was largely responsible for the dramatic layout of the later English Baroque hospital. Neoclassical colonnades wings and buildings were also added to the House in the early nineteenth century for a Seaman's school. Today the House is both a Grade I listed building and a scheduled monument; a status that includes the axial vista to the River Thames. The House has returned to the display of artwork, it now serves as part of the National Maritime Museum and is used to display parts of its substantial collection of maritime paintings and portraits.
Early history Queen's House is located in Greenwich, London. It was built as an adjunct to the Tudor Palace of Greenwich and was previously known, before its redevelopment by Henry VII,The Palace of Placentia was redeveloped circa 1500. as the Palace of Placentia, which was a rambling, red-brick, building in a vernacular style. This would have presented a dramatic contrast of appearance to the newer, white-painted house. The original building was intended as a pavilion with a bridge over the London-Dover road, running between high walls through the park of the palace. Construction of the house began in 1616, but work on it stopped in April 1618 when Anne became ill and died the following year. Work restarted when the house was given to the queen consort, Henrietta Maria, in 1629 by King Charles I. The house was structurally complete by 1635.Detailed accounts of the building project are given in London County Council, Survey of London, Howard Colvin, ed. The History of The King's Works, Volume IV, 1485–1660, (Part II 9) and in John Bold, Greenwich: An Architectural History of the Royal Hospital for Seamen and the Queen's House (Yale University Press) 2000.
However, the house's original use was short, no more than seven years; the English Civil War began in 1642 and swept away the court culture from which it sprang. Although some of the house's interiors survive, including three ceilings and some wall decorations, none of the interior remains in its original state. The process of dismantling the house began as early as 1662, when masons removed a niche and term figures and a chimneypiece.John Newman, noting this, identified a chimneypiece likely to have come from the Queen's House, at Charlton House, barely three miles away; for its design it drew upon an engraving in Jean Barbet's Livre d'architecture (1633); Newman, "Strayed from the Queen's House?" Architectural History 27, Design and Practice in British Architecture: Studies in Architectural History Presented to Howard Colvin (1984:33–35).
Artworks that had been commissioned by Charles I for the house, now reside elsewhere. These include a ceiling panel by Orazio Gentileschi, Allegory of Peace and the Arts, which is now installed at Marlborough House, London,R. W. Bissell, Orazio Gentileschi and the Poetic Tradition in Caravaggiesque Painting, cat. no. 70, pp 195–98. a large Finding of Moses, now in the National Gallery, London, and a matching Joseph and Potiphar's Wife, still in the Royal Collection.Lloyd, Christopher, The Queen's Pictures, Royal Collectors through the centuries, p. 102, National Gallery Publications, 1991, . This is usually at Hampton Court Palace. The Queen's House, though it was scarcely being used, provided the distant focal centre for Sir Christopher Wren's Greenwich Hospital, with a logic and grandeur that has seemed inevitable to architectural historians but in fact depended on Mary II's insistence that the vista to the water from the Queen's House not be impaired.John Bold, Greenwich: An Architectural History of the Royal Hospital for Seamen and the Queen's House (Yale University Press), .
Architecture Built by Inigo Jones in the seventeenth century, the Queen's House is England's first classical building. Inigo Jones was commissioned by Anne of Denmark in 1616 to build the unique house. At her death in 1619, the house was unfinished. Jones completed the house for Henrietta Maria in 1635. The Queen's House is unique in style and characteristics compared to other English buildings of the time. Jones created a first-floor central bridge that joined the two halves of the building. Inigo Jones was heavily influenced by Italian Renaissance architecture and the Palladian style, created by Andrea Palladio. Jones applied the characteristics of harmony, detail, and proportion to the commission. Rather than being in the traditional, red-brick Tudor style like the then existing palace, the house is white and is known for its elegant proportions. Jones felt compelled to reflect political circumstances of the time through his use of his Orders, reflected in his "Roman Sketchbook" notes. In early designs of the Queen's House, Jones experimented with using the Corinthian Order in public, which at the time was used as court architecture and was viewed as "masculine and unaffected".
Two preliminary drawings have been associated with Anne of Denmark's commission. The first plan includes a rectangular villa with a circular staircase adjacent to a vaulted square hall with six pilasters along the exterior. The second plan is composed of an H-shaped building with a columnar bay and a balcony, which fits two of the elevations of the Queen's House. The completed Queen's House, finished under the request of Queen Henrietta Maria, reflects a public restraint mentioned in Jones' "Roman Sketchbook". Between 1632 and 1635 a central loggia was added to the south front and columns were limited to this area. The columns were switched from Corinthian to Ionic to reflect the strictures of Sebastiano Serlio, being made for matrons.
Inigo Jones' design is famous for two of its aspects: the Great Hall and the Tulip Staircase. The Great Hall is the centerpiece of the Queen's House and holds a first-floor gallery that overlooks geometric-styled black and white marble flooring. The Great Hall is recognizable and innovative for its architecture; The shape of this hall is perfect cube, measuring 40 ft in each direction. Much like Jones' inspiration for the rest of the Queen's House, Jones used the rules of proportion created by Palladio.
The Tulip Staircase was an unusual feature during this period and the first of its kind. Made of ornate wrought iron, it is Britain's first geometric and unsupported staircase. Each tread is cantilevered from the wall and supported by the step below, a design invented by the mason, Nicholas Stone. Each step is interlocked along the bottom of the riser. Jones found inspiration for the staircase, and the glass lantern above, from Palladio's Carita Monastery, where he noted that the staircases with a void in the center "succeed very well because they can have light from above". Jones hired Nicholas Stone to lay the black and white flooring which mirrored the design of the ceiling.
Patron
Anne of Denmark Anne of Denmark, the wife of James VI and I, was an important patron of the arts. Anne commissioned her frequent collaborator, Inigo Jones, to refurbish the Queen's House in Greenwich. Although the Queen's House was not completed before her death in 1619, Anne was able to use the palace at Greenwich as a personal gallery before her death. Both James I and Anne had private galleries and fashioned them in similar ways. Jemma Field describes the spaces as a place of political significance; "All objects and furnishings were appraised as signs of Stuart wealth, merit, and honour".Jemma Field, Anna of Denmark: The material and visual culture of the Stuart courts, 1589-1619 (Manchester, 2020), p. 93. Anne of Denmark's project may have been influenced by her knowledge of garden buildings and hunting lodges in Denmark, and her brother Christian IV of Denmark sent two Danish stonemasons to work for her at Greenwich for nine months.Jemma Field, Anna of Denmark: The material and visual culture of the Stuart courts, 1589-1619 (Manchester, 2020), p. 67.
Queen Henrietta Maria Henrietta Maria, the wife of Charles I, son of Anne and James, inherited the rights to Greenwich Park in 1629. She commissioned Inigo Jones to return and finish the Queen's House between approximately 1629 and 1638. As an important patron for contemporary artists, Henrietta acquired and commissioned many works of art for the Queen's House. Henrietta used the palace as a "House of Delights" and filled the home with spectacular pieces of art, including the Great Ceiling.
Allegory of Peace and the Arts (Ceiling by Orazio Gentileschi)
Orazio Gentileschi, a favorite at the court of Charles I, was commissioned by Queen Henrietta Maria to decorate her "House of Delights". By Gentileschi's death in 1639, the Queen's House contained about half of Gentileschi's English works, including the ceiling of the Great Hall from 1635 to 1638. The central work of this hall features the Allegory of Peace and the Arts, a central tondo surrounded by eight other canvases. The ceiling creates a visual celebration of the reign of King Charles I and his encouragement of peace and the liberal arts. Gentileschi illuminates the taste and patronage of Henrietta Marie by embodying the power of women throughout the ceiling, all but one of the twenty-six figures are women.